Based on true events: Another Day in America tells the stories of an ensemble of distinct characters as they each make their way through a seemingly normal workday which begins to unwind. As pressure mounts, each character is pushed closer and closer to the brink, culminating in a harrowing and psychologically explosive conclusion.

Director Jared Leto crafts a sweeping yet intimate cross-section of America shot on a single July 4th in 2017 with 92 film crews fanning out across each of the United States and Puerto Rico to capture A Day in the Life of America. A gargantuan production shot over a single 24 hour period across the country, the film weaves a wide range of beliefs and backgrounds into a rich tapestry of life.

With one single choice, everything changes. One life splits into two realities: one chasing a chance at love, while the other finds solace in music. If one true path is not found, both realities will cease to exist. A reluctant guardian angle, William, finds it challenging to overcome his selfish ways and connect with the boy, James, that he is to look after.

When a powerful and mysterious force invades an American city, a young father must traverse the battle-torn city in an effort to save his wounded wife and rescue their stranded children. In the process, our hero becomes the target of an enemy who will stop at nothing to kill him.

Paris. Gabrielle and Enzo, two teenagers from the same gang, meet in front of the school. Cigarettes, the affirmation of sexual desire and the discovery of new drugs punctuate their day. Each one, in his own way, celebrates or laments childhood that is slipping away.

A scientific experiment in rapid-cell growth goes awry when a lab assistant steals the developed serum and injects it into his pregnant girl friend. The result is a child that grows through adulthood and will die within days, if a cure cannot be found.

A cartoonist and painter who can not stand out and make a living, among other things, as a photographer of news magazines and a beautiful young woman who comes to Buenos Aires from inside the country to try to make it as a model and actress, living a love as passionate as fraught with disagreements.

Monte Hellman was born in 1932. By 1986 he made eight features, but had not directed for six years. I had made as many documentaries, but had not turned a foot of film through a camera for two years. I decided to break the silence by spending a day with him. Nine rolls were loaded into the camera. We talked until either we or the camera ran out.

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A love triangle shot in two continuous 45-minute takes set eighteen months apart: the first over a sunset, the second a sunrise.